Description
clocking in at a little over 30 minutes playing time these unearthed 5 songs, intitally recorded in 2005 show the band’s musical origins, before screamish and post influences kicked in and formed records like ‘this faint line’ (released in 2008). mostly influenced by classic mid 90s emo bands and recordings such as jimmy eat world’s ‘clarity’, texas is the reason’s ‘do you know who you are?’ or the get up kids’ and christie front drive’s entire discography, some 00’s pop punk like the ataris and a more mature take on emo like elliott on ‘false cathedrals’ we get a suprisingly poppy at times, yet fragile and imperfect record, unconventionally arranged, rough and rocking that deserved to rise from the old harddisk it hibernated on for almost 15 years.
these 5 songs deal with thoughts or fears of two people being no perfect match but intertwined so deeply you find it difficult to embrace a life on your own. questioning if you know at all what love is, or even more so, what not loving feels like, and how to know when love is gone.
listen:
this noise is ours was so kind to sit down with us for an interview, talking about releasing one first song digitally, and the band in general
read the interview here
watch a lyrics video to a snippet of “… at the heart of my everything”:
100 CDs were made, which come in kraft paper/card with glued on photographs and handstamped lettering and include a 21×21 cm lyrics inlay cut into 4 small squares. they are handnumbered. #1-29 come in gatefold covers (this version is exclusive to distribution via sonic rendezvous or record stores), #30-79 come in envelope covers, the rest come in folder covers. the last around 10 of these are promotional copies, which are not handnumbered)
if you would like to purchase a digital copy of this release, please click here
art direction and window cover photos by daniel becker
inlay layout by andreas gebauer
reviews:
(this noise is ours)
(IDIOTEQ.COM)
Gut Ding will Weile haben. Instrumente und ein paar Vocals wurden bereits im Sommer 2005 sowie 2006 aufgenommen, ehe das “Unreleased”-Album schließlich mit den Vocals im Februar 2019 fertig aufgenommen worden ist. Aber das merkt der/die Hörer*in natürlich nicht. Die fünf Songs sind zeitlos gute Heart to the Core-Perlen, die mit persönlichen Gedanken/Reflexionen ausgeschmückt wurden. Ausgedehnte Passagen mit viel Tiefgang, Melancholie und dem rhythmischen Drive, um die hippieske Stimmung auch mal turbulent zu gestalten. Gitarrenerbtone instrumentale Elemente, die wie Schmetterlinge davonfliegen und Tagträume beflügeln (“…at the heart of my everything”), die aber auch mal Ecken und Kanten besitzen, dass mensch wieder hart auf den Boden der Tatsachen landet. Wishes on a plane skizzieren und lautmalen ein persönliches Klangbild mit Pastelltönen und vielfach leisen und stillen Passagen, aber auch Referenzen zu stilprägenden Bands wie Texas Is The Reason und Sunny Real Estate, um dem Emo auch mal etwas Grunge/Post-HC reinzupumpen.
(underdog fanzine)
This song is utterly gorgeous. The angelic singing is most prominent, especially when doubled up or intertwined with backups, and the instrumentals swing the song in and out of a very catchy chorus. It’s still emo with a touch of post-hardcore but manages to bridge the gap into stronger, fuller and damn-near alternative/post-rock territory. I’ve heard the entire release and if you like this song, you’ll love the release.
(open minds/saturated brain about “your place is still…”)